lunedì 16 aprile 2012
Record Store Day @Disco Frisco
Ecco il programma per il Record Store Day e i Dj's partecipanti:
12.30 Apertivo Free Dj Rioma "Stars on 45"
14.45 Dj Stryx "Old Skool Hip Hop"
15.30 Senor Carunchio "Psychedelic Lounge Beat Shake"
16.15 Venice Beach "Indie Rock"
17.00 Sir Taylor "Spiritual Jazz Soul Soundtracks"
17.45 Back To Black "Soul Mod And Funk"
18.30 Paul Stone "Classic Rock"
19.15 Special event RADIOFIERA acoustic set live
Il negozio sarà aperto in orario continuato dalle 9.15 alle 20.00
Ci saranno numerose edizioni in vinile create per il Record Store Day.
Sconto del 10% su tutto il catalogo vinile.
"Nessun luogo può cambiare la tua anima più dei piccoli negozi di dischi".
Nick Hornby
Via Lungo Sile Mattei, 25
31100 Treviso, TV
0422 583008
E Mail: info@discofrisco.it
www.discofrisco.it
Etichette:
5,
disco frisco,
event,
LP,
music,
record store day,
trevis,
vinyl
Record Exhibition
Venice, Sunday 15 have raduanti for the Exhibition of disk, 50 exhibitors from all over Italy. A unique opportunity to find special rarities record companies, but also to rediscover the classics, organized by organized by the Original Idea! Events and Services snc in collaboration with Punto Radio Cascina.
When, in the early 80s, was launched to support the new laser scanning were not many to trust him, but took only a few years to ensure that the CD sales surpassed the old vinyl, so that it ended with the disappear almost completely from the market, while the record stores svendevano inventories and reorganized to accommodate the new boxes. In fact, the vinyl is never completely disappeared and you are nostalgic for the old soon added new ranks of young fans, who at first took to the exhibitions market in search of old productions and have worked as hard core for a significant recovery in production.
Fifty exhibition stands and a room dedicated to Hi Fi with demo tracks and guided by the guru of high fidelity Pierre Bolduc, for a total of about eighty thousand records: "Among the exposed vinyl also the first release of the original value of the Velvet Underground five thousand euros "explain the designers of the event Zarone Lorenzo and Paolo Conte from the pages of Corriere del Mezzogiorno" the stars of the original print of Mario Schifano value of three thousand euros, the orange vinyl of The Wall by Pink Floyd and evaluated two thousand euro the first work of Paolo Conte's '72 priced at 1500 euros which is one of the rarest items of the exhibition. "
I have taken advantage of this market to try this, normally I do not find that vinyl in shops, from rock 'n' roll to punk '70s. Next time we see here.
Love ya!
Etichette:
dance,
exhibition,
hard rock,
hobby,
italy,
LP,
metal,
music,
pop,
punk,
record,
rock'n'roll,
venice,
vinyl
domenica 15 aprile 2012
Are u Ready?
Etichette:
2012,
21,
april,
record store day,
week
Making Movies
Making Movies is the third album by English rock band Dire Straits, released in 1980.
The title of the album comes from a line in the song "Skateaway" and the unreleased song "Making Movies". Rolling Stone ranked the album #52 in their survey of the "100 Best Albums of the 80s". Making Movies was the biggest selling album in Italy in 1981 with one million copies; in Europe the album sold 3.8 million copies.
It was remastered and released with the rest of the Dire Straits catalogue in 1996 for most of the world outside the U.S. and on September 19, 2000 in the United States.
The songs "Making Movies" and "Suicide Towers" were recorded during the sessions and were never officially released. They do however appear on bootlegs.
The popular singer, guitarist, composer and leader, has cleared the ideas and decides to push in the direction of success, without compromising on quality. And 'mature as a composer and musician, but also as a manager of his talent. A talent and ambition that in later years would have led to self-produced discs of the Straits, as well as to produce work of others (Bob Dylan, Randy Newman, Aztec Camera, Tina Turner, etc..): The road to success for Ours is a relatively late begun, almost 30 years, but has been a dizzying speed, so that in the mid 80s the character showed signs of slowing down, choosing to pass on their ideas for the most side-projects, away from the spotlight and dall'insulso world of heavy rotation (but not before he made money hand over fist, selling tens of millions of records).
"Making Movies" then is the son of the most explosive phase of the ambitious and career Knopfler. Not surprisingly, the rhythm guitarist of the Straits, which is the little brother David, has moved away just when recording this album, apparently as a result of quarrels and misunderstandings with Mark, whose dominant figure and whose talents were probably incompatible with the despotic relationship of kin within the group.
The lyrics, from the beginning, are now 'universal' and more removed from direct personal experience of the author. At the base there are always hints of Dire Straits roots: the country-blues J. J. Cale, Springsteen ballads, echoes Dylaniani, guitar, and of excellent quality. But the music has evolved, perhaps a bit 'at the expense of simplicity and freshness in a fine mainstream rock, the kind that' infect 'the listener quickly. Credit goes to the production of solid Jimmy Iovine (who produced for Patti Smith, Tom Petty and many other tutelary deities in the 80s), which highlights the sounds, adds some splash of Hammond organ and piano, the guitar and makes a bit 'more aggressive and persuasive.
Explosive mix: perfect to enliven an evening in a pub on the road, or even to listen with headphones in your bedroom. The album is a hit (at the time, sells a lot in Italy) and has the merit to enrich the world of rock - after the historic "Sultans Of Swing" - with a couple of classics made by Dire Straits' Tunnel of Love "and" Romeo and Juliet ".
The title of the album comes from a line in the song "Skateaway" and the unreleased song "Making Movies". Rolling Stone ranked the album #52 in their survey of the "100 Best Albums of the 80s". Making Movies was the biggest selling album in Italy in 1981 with one million copies; in Europe the album sold 3.8 million copies.
It was remastered and released with the rest of the Dire Straits catalogue in 1996 for most of the world outside the U.S. and on September 19, 2000 in the United States.
The songs "Making Movies" and "Suicide Towers" were recorded during the sessions and were never officially released. They do however appear on bootlegs.
The popular singer, guitarist, composer and leader, has cleared the ideas and decides to push in the direction of success, without compromising on quality. And 'mature as a composer and musician, but also as a manager of his talent. A talent and ambition that in later years would have led to self-produced discs of the Straits, as well as to produce work of others (Bob Dylan, Randy Newman, Aztec Camera, Tina Turner, etc..): The road to success for Ours is a relatively late begun, almost 30 years, but has been a dizzying speed, so that in the mid 80s the character showed signs of slowing down, choosing to pass on their ideas for the most side-projects, away from the spotlight and dall'insulso world of heavy rotation (but not before he made money hand over fist, selling tens of millions of records).
"Making Movies" then is the son of the most explosive phase of the ambitious and career Knopfler. Not surprisingly, the rhythm guitarist of the Straits, which is the little brother David, has moved away just when recording this album, apparently as a result of quarrels and misunderstandings with Mark, whose dominant figure and whose talents were probably incompatible with the despotic relationship of kin within the group.
The lyrics, from the beginning, are now 'universal' and more removed from direct personal experience of the author. At the base there are always hints of Dire Straits roots: the country-blues J. J. Cale, Springsteen ballads, echoes Dylaniani, guitar, and of excellent quality. But the music has evolved, perhaps a bit 'at the expense of simplicity and freshness in a fine mainstream rock, the kind that' infect 'the listener quickly. Credit goes to the production of solid Jimmy Iovine (who produced for Patti Smith, Tom Petty and many other tutelary deities in the 80s), which highlights the sounds, adds some splash of Hammond organ and piano, the guitar and makes a bit 'more aggressive and persuasive.
Explosive mix: perfect to enliven an evening in a pub on the road, or even to listen with headphones in your bedroom. The album is a hit (at the time, sells a lot in Italy) and has the merit to enrich the world of rock - after the historic "Sultans Of Swing" - with a couple of classics made by Dire Straits' Tunnel of Love "and" Romeo and Juliet ".
Etichette:
80s,
dire,
guitar,
guitarist,
LP,
making,
movies,
music,
rock,
romeo and juliet,
singer,
straits,
tunnel of love,
vinyl
sabato 14 aprile 2012
Happy Saturday!
Saturday Night Fever is a 1977 drama film directed by John Badham and starring John Travolta as Tony Manero, an immature young man whose weekends are spent visiting a local Brooklyn discothèque; Karen Lynn Gorney as his dance partner and eventual friend; and Donna Pescow as Tony's former dance partner and would-be girlfriend. While in the disco, Tony is the king. His care-free youth and weekend dancing help him to temporarily forget the reality of his life: a dead end job, clashes with his unsupportive and squabbling parents, racial tensions in the local community, and his associations with a gang of macho friends.
A huge commercial success, the film significantly helped to popularize disco music around the world and made Travolta, already well known from his role on TV's Welcome Back, Kotter, a household name. The Saturday Night Fever soundtrack, featuring disco songs by the Bee Gees, is one of the best selling soundtracks of all time. The film is the first example of cross-media marketing, with the tie-in soundtrack's single being used to help promote the film before its release and the film popularizing the entire soundtrack after its release. The film also showcased aspects of the music, the dancing, and the subculture surrounding the disco era: symphony-orchestrated melodies, haute-couture styles of clothing, pre-AIDS sexual promiscuity, and graceful choreography.
The story is based upon a 1976 New York magazine article by British writer Nik Cohn, "Tribal Rites of the New Saturday Night". In the late 1990s, Cohn acknowledged that the article had been fabricated. A newcomer to the United States and a stranger to the disco lifestyle, Cohn was unable to make any sense of the subculture he had been assigned to write about; instead, the character who became Tony Manero was based on a Mod acquaintance of Cohn's.
Track listing
"Stayin' Alive" - Bee Gees
"How Deep Is Your Love" - Bee Gees
"Night Fever" - Bee Gees
"More Than a Woman" - Bee Gees
"If I Can't Have You" - Yvonne Elliman
"A Fifth of Beethoven" - Walter Murphy
"More Than a Woman" - Tavares
"Manhattan Skyline" - David Shire
"Calypso Breakdown" - Ralph MacDonald
"Night on Disco Mountain" - David Shire
"Open Sesame" - Kool & the Gang
"Jive Talkin'" - Bee Gees
"You Should Be Dancing" - Bee Gees
"Boogie Shoes" - KC and the Sunshine Band
"Salsation" - David Shire
"K-Jee" - MFSB
Etichette:
1976,
1990,
american,
bee gees,
british,
fever,
john travolta,
karen lynn gorney,
new york,
nigth,
saturday,
tony manero
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